Pattern Pulp

Tuesday's Gallery Picks




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In this week’s gallery picks, women play the narrative.

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1. Susanna Bauer and Leigh Anne Lester’s muses are the found fallen leaves, and the buds of flowers that haven’t fully grown.  Marrying both human and nature again, their work is a tribute to nature at Muriel Guépin Gallery
2. Carrie Moyer’s Sirens explores and extends the legacy of American Abstraction while paying homage to many of its seminal female figures among them Helen Frankenthaler, Elizabeth Murray, and Georgia O’Keeffe. In Moyer’s compositions color is the sole character, playing every role: energy, matter, ooze, architecture, the cosmic and the cosmos. Through her use of gravity, velocity and stasis Moyer transforms and frees vivid primary hues to express new kinds of animation or fullness, which in turn propels Moyer’s ongoing exploration of her medium at DC Moore Gallery
3. Anna Elise Johnson collects official photographs taken during meetings between the leaders of the International Monetary Fund, World Bank, the U.S. State Department and various heads of state undergoing structural adjustment. Johnson’s acrylic sculptures structurally readjust the photographs that represent, support and solidify these imperial operations. at The Mission
4. Through nearly 100 works made by 34 artists over the past seventy years, this ambitious exhibition traces ways in which women have changed the course of art by deftly transforming the language of sculpture since the postwar period at Hauser Wirth & Schimmel
5. In new paintings and collages, Karen Kilimnik creates richly enigmatic narratives, inscribing her images with signifiers that obliquely reference histories of representation and myth. Mining the vernacular of tapestry reproductions of Baroque and Renaissance painting imagery, Kilimnik doubles down on the expressive potential of the reproduction, rendering her scenes with patchy brushwork and sprinkling her finished paintings with glitter, or adorning them with selections culled from from her library of idiomatic imagery at 303 Gallery
6. JOAN BROWN HERSELF is a survey of eleven self-portraits made between 1970 and 1980, the period during which Brown firmly established herself as an artist with a unique vision at CB1 Gallery

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