Pattern Pulp

Tuesday's Gallery Picks




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This week’s artists draw inspiration from the comfortable and the insights of their intuition.

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1. Lori Ellison’s paintings and drawings are characterized by dense, pattern-filled compositions executed with a devotional intensity. The work incorporates both abstract geometric motifs and those drawn from nature. Organic motifs found in some of the works were inspired by Ellison’s visits to the recent Matisse exhibition at the Museum of Modern Art at McKenzie Fine Art
2. The work in Chris Oatey’s current exhibition is created through a meditative process. A painting develops outdoors over the course of several days. Falling snow covers the surface and subsequently melts to randomly distribute layers of pigment. The paintings serve as vehicle for later drawings.at CB1 Gallery
3. Created during a very brief period, from 1989 until her early, unexpected and tragic death at the age of 29, Illse D’Hollander’s oeuvre exhibits a highly developed sense of color, composition, scale and surface, through the use of subtle tones and pared down compositions. On her work: “A painting comes into being when ideas and the act of painting coincide. When referring to ideas, it implies that as a painter, I am not facing my canvas as a neutral being but as an acting being who is investing into the act of painting. My being is present in my action on the canvas.” at Ilse D’Hollander
4. Taking the pathetic, melancholic and disillusioned attributes present in daily life, as well as the more mundane, and that which thrills and exhilarates us, Shrigley’s work is both honest and entertaining, contemplating issues such as death, love, insecurities and other emotional traumas in a manner that is quite factual and unapologetic at Galleri Nicolai Wallner
5. From hard-line bands to vivid stains to veils of color fields, Ronnie Landfieldʼs work always reflects his transforming insights on color and life. As the artist said in a recent interview, “I believe the most profound paintings allow people to look at the work and access the ability to see themselves.” at STUX + HALLER GALLERY
6. In Comfort Inn, Matt Phillips paintings simultaneously evoke and employ the deeply familiar architecture of decorative surfaces, textiles and fabrics, suggestive of a habitable yet transient domesticity. Like the Comfort Inn hotel across the street from his studio, his work conjures, as he puts it, “a space that is initially foreign… even artificial, yet somehow becomes a stage for something deeply human.” at Steven Harvey Fine Art Projects

Tracking Repetitive + Awesome.
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